Monday, 18 May 2015

Ribbon Remnants Flower - TUTORIAL

Got some short lengths of ribbon left over from your flower making following my previous tutorials? Not sure if there is anything you can do with them...and are going to throw them in the bin?

Well...how about this idea for making some tiny but very simple flower embellishments -

Simple Shabby Frilly, Raw Edged Ribbon Remnants Flowers

(gosh what a mouthfull! lol!)

These flowers take seconds to make and reduce waste by using up remnants of ribbon and materials that would otherwise go in the bin!
 Trim off your remnants and short pieces of ribbon to rough squares, of matching size...
 Layer them up together...
Gather up in the centre and wrap some thread around the middle, all the layers, to secure....make sure it's nice and tight...knot off and cut off excess thread ends.
Lift up, fluff up and separate out all the layers to form a stylistic shabby rose like flower...the raw frayed edges add nice texture. Wire edged ribbon works well with this technique because the wire helps to hold the shape and enables you for really gather up and frill up the layers.

Using remnants for these simple embellishments usually means the flowers will be quite small...so perfect for decorating cards!

Have fun!

XXX Ange XXX

Ribbon tutorial 1

Ribbon tutorial 2

Ribbon tutorial 3

Friday, 8 May 2015

There's a new toy in the studio! THE BIG SHOT PLUS part1

Well, actually it's a bit of an insult to call it a toy....it's not toy....it's oh so much more than that....it's definitely a fabulous and much appreciated tool....

Welcome Big Shot Plus to the StudioForty!

So, in this blog post I'm going to talk about the machine, why I chose it and what you get in your standard package...plus how to assemble it ready for use. I will post up a 'part 2' on my findings in cutting, embossing and using the machine later on.
As you are aware, lots of arts and crafts take place in my studio - from jewellery making to felting, from drawing and papercrafts to card making and painting, and one thing that has been aiding me in my cardmaking and certainly the basis of my paper flower tutorials...is a die cutting machine.

For those of you unaware of these - Die Cutting machines are basically manual or electronic driven devices that use cutting dies or embossing folders (and in the case of computerised and electronic ones, cartridges and programme files) to cut or make patterns/shapes into paper and cardstock (and some other materials such as draft metals and fabric depending on machine). Manual machines are obviously worked by hand using a crank/handle and cut with pressure via running the material through two rollers. Electronic ones cut with blades via a computerised system and instructions you programme in.

Many years ago I started off with a little Cuttlebug ( as shown in this you tube vid by OdonataCreations ) which to this day I have still got a soft spot for and it has proved a much loved workhorse for me but as dies and embossing folders got bigger and more intricate and bigger machines started appearing on the market, there was only so much I could do with my little old 'bug'. I acquired an original Spellbinders Grand Calibre but found I couldn't use my Tim Holtz/Sizzix steel rule dies in it and it had big 'dead spot' in the centre which made cutting and embossing of larger pieces a bit frustrating and time consuming so I started looking to upgrade to something bigger and with a bit more 'ooomph'!

SIZZIX was a brand name that kept popping up time an time again in my research, a company highly recommended by many crafters, and a company providing reliability and variety with many machines available to suit many needs and requirements...especially within the BIG SHOT range....and I was very interested to hear that these machines would be able to provide much more use in my studio.....not just for papercrafting but also in my jewellery and artwork (more on that later).

The Big Shot range has three different sized machines which you can find the information about on the official SIZZIX PAGE and also Paula Pascual, a designer for them has also blogged a great piece about all three machines HERE. It was the mid range Big Shot Plus that I decided was perfect for my current requirements (in an ideal world I would like the Pro machine but sadly, alas, until I can move to a bigger studio and provide this huge machine with it's own dedicated space and set up, it is no go)

Here are some of the plus features and why I went for the Plus machine -
  • It is a manual machine worked by hand using a crank/handle so in the event of loss of electricity power, you are still able to use this machine. The simple mechanism means obviously no additional electric components to 'go wrong' or break.
  • it has a 9inch wide 'mouth' enabling it easily accommodate up to A4 sized cutting dies and embossing plates and this allows you to rotate many larger dies 90degress to ensure even and clean cuts.
  • The 'Plates' are 9x15inches allowing you to comfortably use A4 paper sheets without having to additionally trim edges to fit...and you could technically run much longer lengths of paper through if needed.
  • the mouth/opening depth enables you to use the thicker steel rule dies (Sizzix state "it works with the entire Sizzix product library (with the exception of Bigz Pro dies) – including our smallest to our big 9" wide plastic-backed dies and embossing tools" , plus many other makes of dies and plates can be used with it's selection of adaptor plates.
  • You can cut a number of dies in one go making your creating more efficient and quicker (NB but please be aware that Sizzix do issue a warning that excessive numbers of dies used resulting in damage to the rollers will void the warranty...so exercise caution and common sense).
  • The rollers and mechanics are mainly metal based which means it is more durable, powerful, and provides better and even pressure thus enables you to use a variety of materials from fabrics to craft metals....and there are less 'dead spots' which cuts down on the number of times you need to rotate and run the pieces through.
  • The design of the machine is solid and secure, has enough weight to ensure there is no wobbling or instability yet is still lightweight enough to be portable.
  • It has clear plastic cutting plates so you can still see your paper/dies etc when running through and watch in case anything moves out of place. Some other machines use opaque coloured plates so you end up cutting 'blind'.
  • It will take the Vintaj Sizzix deco Emboss and Decoetch plates so you can emboss and 'etch' designs into metals for jewellery making.
I think the design of the Big Shot is well thought out - low slung with a low centre of gravity and large 'footprint' only requiring little pads to protect the table top so there is no wobble or fear of the machine being knocked over. No suction feet are required which means the machine can be placed on any type of flat surface and is always stable. The machine is one solid formed piece with static platforms both sides of the mouth so has no folding up 'flaps' (eg like the Flutter Cutter, Cuttlebug, Xcut Xpress, ) Yes, this means a bigger machine that takes up more storage space BUT the upside of this is that it means less 'parts' of the machine with joints/weak spots and vulnerable areas to break or wear out. So the overall machine is more durable. The static platform supports feeding the plates through (unlike machines such as the Grand Calibre that have no platforms) so you can arrange your dies and papers in situ on the machine, then feed through with no worries of having to gather up the sandwich of plates and accidently dislodging and moving the dies etc out of place.
The large support platforms allow you to set up the plates, dies and paper in situ on the machine....and not compiling the sandwiches of plates on your worktable, then precariously picking it all up and trying to feed through the mouth while worrying you're moving the pieces about.

NB - 'Deadspots' is my reference to the areas on the roller with uneven or less pressure....usually found towards the middle of the rollers. Rollers naturally have more power and pressure at the outer edges where they are nearer to the cogs and mechanisms and all manual craft die cutting machines tend to have this, but the degree to which this happens differs from make to make. You tend to find with larger dies and embossing folders (especially those with more intricate designs) the area near the middle may not be completely cut or marked in the first pass through and you have to run it through the machine a second, third or even more times, rotating the die and paper and repositioning towards the outer edges of the rollers to achieve a full cut/emboss. Having to move and reposition will
always leave you in danger of dislodging the paper and ruining the final finish/cut so the less you have to do this, the better. The more heavier duty machines, the ones with metal mechanisms, tend to suffer from less 'deadspots' as they have better and more even pressure throughout the rollers.
A number of companies are currently offering options of packages in which you can buy the Big Shot Plus machine - a basic package which includes the machine, cutting plates and adaptor plates.... and starter packages with additional dies, papers and accessories. I chose the basic package.

This is an overview of what I got -
The Big shot machine has a chic white and grey heavy duty plastic body with metal mechanics. The overall body measuring 12inch wide by 16inch long. With the handle it is a total of 16inches wide. The design is sleek and rounded with no harsh corners or edges, and it has four sturdy feet and with it's low profile this gives great stability. The handles are both rounded with soft grip rubber and comfortable to use. The ridged/rib design on the base allows the plates to run through the machine smoothly with little resistance and no friction.
You receive the machine packaged securely in a box with polystyrene protection. The handle comes detached and included separately in a bag with it's fittings and needs to be assembled by the user. This is a simple and quick thing to do and there is no other assembly required. Once the handle is fitted the machine is ready for use immediately.

The handle fittings included in your package are as shown in the image above - the handle, a small black screw, a small metal washer, a soft grey rubber button and an allen key plus easy to follow instruction booklet.
There is a protective black plastic cover over the connection for the handle, on the side of the BSP machine. This needs to be removed....
It pulls off easily to expose the metal connection....
It says on the cover, to remove and discard but I have kept it just in case I need to remove the handle again in the future.
The handle slots onto the metal connector, it will naturally fall into the downward position and will just need some gentle support with one hand when you fit the screw.
The tiny metal washer needs to be placed onto the thread/shank of the screw as shown above...
and slotted into the hole in the handle, making sure the handle is pushed into body of the machine so the screw joins with the metal connector.
The allen key is then used to tighten the screw firmly but taking care not to over tighten or you might break the screw and thread.
The soft grey rubber button now fits over the screw to keep it secure.
And that's it...all complete and ready to use. The great thing about this machine is that it's symmetrical in shape so that it can be turned around and used either way, with the handle to the left....so no problems if you're right or left handed.
The basic package includes standard (thick white) base plate, two clear cutting plates and A and B adaptor plates. The base and adaptor plates are printed with very useful information on what plates to use with which Sizzix products. For other makes of dies and embossing plates you will obviously need to try out various configurations of plates...more shims may also be required, and this also applies to the various paper/material used too. Additional plates, accessories and rubber sheets can be purchased from various craft suppliers.

I will be keeping a little notebook to hand so I can write down plate combinations as and when I use and will also give this information out on my 'part 2' post.

For Sizzix products the combinations are as follows -

Sizzlets, Embosslits, Thinlits, Triplits and basic textured Impressions require additional B PLATE adaptor

A4 Textured Impressions require Base & 2 x cutting plates only

Texturz require Base, Silicone rubber sheet, & Impressions pad (rubber sheet and Impressions pad are not included in the basic package and need to be purchased separately)

In Part 2 I'll blog about my first experiences of die cutting and embossing with the Big Shot Plus.

Hope you found this of interest.

XXXAngeXXX

Wednesday, 6 May 2015

More ribbon flower fun! - TUTORIAL Parts2 & 3

Following on from the previous tutorial on how to make a ribbon flower ( Simple Flower Tutorial )...here are a couple of more ideas that enable you to adapt your flowers according to the type of ribbon you use -

 KNOT and FOLD technique (simple ribbon flower pt2) -

This flower is formed following the basic pattern...but by knotting the lengths of ribbon rather than stitching. This tends to look better when you are using a more sheer fabric...such as this organza ribbon...and you don't want the stitches to be visible.
Take your length of ribbon and tie a knot in the centre instead of folding and stitching.
Fold over, stitch and put running stitches across the bottom...just as in the previous tutorial...
Joining and gathering the petals all together in exactly the same way...
...flattening, shaping out the flower and adding some security stitching into the centre....
...and finishing off with a button or centre embellishment.
 Here's another one...in pink organza...with a different button embellishment.

TWIST and FOLD technique - for wired ribbons (simple ribbon flower pt3 -

This one is for ribbon that has wired edging...so no knotting and stitching required because a simple twist of the wire holds the shape instead.
Take your length of ribbon and twist a couple of times at the centre...take care not to over twist and over tighten as the wires are fragile and might break.
Fold, apply running stitches, attach petals together, gather up and form the flower as per previous instructions.
Add your chosen centre embellishments and voila!...another flower completed!

Hope you've enjoyed these little tuts and have fun making your own ribbon flowers!

XXX Ange XXX

Monday, 27 April 2015

A Simple Ribbon Flower - TUTORIAL Part1

Here a quick little flower tutorial from my old Floral Fancies website...made from ribbon. It only requires basic stitching skills, using running stitches....and can be made using any scraps of ribbon, in any size and material. Complete with a button or pretty embellishment in the centre and it can then be used for card crafting or decorating homewares...even attached to clips and bands for hair accessories or to jazz up some shoes, or sewn onto clothes...or used to top off a lovely wrapped and ribbon tied gift...the uses are endless. Not everyone does paper crafting and not everyone has paper die cutting machines but most people will be able to access a few bits of ribbon, thread and needle...so this is a flower tutorial for everyone.
Stitched ribbon flower

TOOLS REQUIRED - Ribbon of your choice (preferably non wire edged), Sewing thread in matching colour (you will note a contrasting colour has been used in this tutorial purely to make it easier for you to see where the stitches go), fine sewing needles, scissors, ruler and various buttons/embellishments of your choice to decorate the centre.
 cut 5 lengths of ribbon all the same size.
For my tutorial I used lengths approx 9cm long each.
Take one section of ribbon, gently fold in half lengthwise (but do not crease) find and pinch the centre where the outer edges meet....and secure with a stitch or two. Just catch the very edges, do not stitch through the whole width of the ribbon. Repeat with the other 4 pieces of ribbon.
Place the stitched piece vertically in front of you as shown in the photo above, then take the top end point A and bring over and down to meet end point B. The stitched section will be on the inside. .
This is what the piece will now look like...Edge A is on edge B, the stitched section is on the inside and holds the edges in together to form a point...this is how the petal shape is formed.

Secure the right hand edge with a couple of over stitches and a knot...
...then do some running stitches across the bottom....do not knot and tie off...but keep the thread with it's needle...
and stitch and attach your second piece of ribbon....
and the final 3 other pieces...so the thread and running stitches work through all 5 sections/petals.
Pull the loose end of the thread to gather up the ribbon sections and bring them all together reasonably tightly.
Secure the ends together with some small stitches.
Trim off any rough ends, then flatten out onto the worktop and evenly arrange and spread out the petals until you are happy with it's shape. A few more stitches in the centre at the front often helps it keep it's final shape.
Glue or stitch in a button or embellishment of your choice to cover the raw edges and stitches in the centre...and your flower is complete!
You could add some extra contrasting ribbon or threads to make a different layered flower.

It is now ready for you to use as you wish...for card making, homewares, embellishing garments etc..

 
Have fun making these!

XXX Ange XXX